Áine Greaney

Irish Author

Leading Creative Writing Workshops and Writing Stuff for 20+ years.

North Shore of Boston via Ireland

Filtering by Tag: teaching creative writing

Teaching Creative Writing Workshops: 8 Ways To Prepare and Plan

I often teach and lead writing workshops—primarily in New England and greater Boston—and there's nothing more thrilling than rummaging through my Evernote files and bookshelves to find just that right article or essay or video clip that will, I hope, inspire a group of writers.  

Leading a writing workshop is a delicate balance of pedagogy, grace, humanity, inclusion and authority. It also helps to have a sense of humor. 

I've been designing and leading writing workshops for over 20 years now.  I've taught at libraries, universities, arts centers, assisted living facilities, schools and writers conferences. 

me.jpg

Each opportunity and each group of participant writers holds the promise of learning new ways to engage and inspire.    

New to teaching or presenting? Here are my 8 Steps To Prepare For A Creative Writing Workshop 

1. Narrow your topic:   "We want to offer a writing class." Sometimes, the host or events person calls with just this request. It's a great request, but it's up to you to ask and get specifics about the projected audience, its demographics, and, if possible, nudge him or her toward letting you come up with a more specific workshop topic or title.  

For example, a workshop on writing short fiction will appeal to an entirely different audience to a session on, say, travel writing. Equally, an active retirement group may want a different type of session from a group of teens--or not. But you must ask. 

2. Check out the venue:  Nothing kills student participation more than physical discomforts, including rooms that are cold, musty, lack windows, enough space or nearby bathrooms. Ask questions. Go on the organization's website. If needed, ask to visit the venue so you can check it out and actually visualize your workshop taking place in that room.  

3. Establish who's boss:   Once, a woman hired me to facilitate a three-day summer conference retreat in a gorgeous mountain setting.  Fantastic, right?  Um ... Two hours into the event, I discovered that this woman couldn't quite decide who was actually leading--her or me. The students were confused and distracted and it was hard to get the writing karma back. Yes, writing workshops are very democratic and participatory, but someone needs to lead. 

If your potential host plans on attending the actual sessions, establish if it's going to be as a participant, a co-teacher, a pop-in observer or as a supervisor of your work.   Then, depending on the response, accept or decline this teaching opportunity.

4. Prepare. Prepare. Prepare:   Participants deserve to get their money's worth and get the most out of these few hours or days. So it's important to really prepare the content, plan the pacing, the writing prompts, the break times, the handouts  and other details.  Always have an alternate set of prompts in case the group energy lags or dynamics change. 

5. Ask about the technology: If you're going to use  video clips, pod casts or presentation software (like PowerPoint or Prezi), establish your future venue's internet capabilities. As well as the resident laptop setup, bring your own and backup everything on a thumb drive.  If at all possible, request to do a test run--in the same room you will be  using for the actual workshop--and make sure the tech person will be onsite or on call on the day of the event. 

6. Talk money: Don't believe someone who tells you that facilitating this retreat or workshop will look great on your C.V.,  will land you a literary agent or give you a free lunch or dinner.  The potential event or conference may, indeed, yield one or all of these, but none of them is a valid reason to donate your talent and time.

Ask for a suitable fee. Here are some tips from my previous article at LinkedIn. Ask for mileage or transportation support. As a writer, you should be a good literary citizen and donate your time. But only to organizations you actually choose.   

7. Learn how to teach: Many writers' events and conferences hire big-name authors as a way to fill the seats and balance the budget.  Often, these rock star authors turn out to also be a rock star teachers. But then, there are those who do not, or who cannot teach. 

Before I was a writer, I was trained and educated as a teacher. But if you've never stood in front of a group before, get online and learn the basics of training and group facilitation. Your students will thank you, and you may get invited back for a repeat gig. 

8. Ask about marketing--plus the minimum and maximum enrollment:  Depending on the topic and venue, there's a magic number for writing workshops. For a fully participatory workshop with lots of peer sharing and review, 9-12 works well. Fifteen is do-able. Anything beyond that switches the dynamics and begins to morph into a lecture style. Too few students, and it's hard to generate dialog and creative energy. Too many? Your participants can feel crunched for time and air space.  

Ask about the maximum numbers of attendees and how the venue plans to post  and advertise the workshop event to the public. Also make sure you view and approve your instructor’s bio.

As a workshop participant, what would you like to see from facilitators? Or as an instructor, share your tips with us. Write in the comments below. 

 

 

Is Teaching Writing Better Than Actual Writing?

A few days ago, I would have had a very quick and definite response to the question above: Writing is my happier and better place.

Truth be told, I was on a bit of a reclusive kick, and ... well ... you know how that goes. The less you socialize, the less you want to get out there and socialize.

Then, this weekend, I traveled to New York City for a three-day conference by Writers Digest. I was in good company. Other presenters included Harlan Coben, Jacqueline Mitchard and Dani Shapiro. The event also included panels and presentations by agents, editors, and lots of fellow writers. 

At the Writers Digest Conference 2014 in New York

At the Writers Digest Conference 2014 in New York

We had about 600+ attendees, and the event was a nice mix of large-group keynotes, discussion panels and breakout sessions. Of course, we managed to get some socializing in there, too. 

My two breakout sessions were on editing your work for publication (all genres) and how to write scenes for fiction (novels, short stories, micro fiction) and non-fiction (memoir, personal essay) pieces. 

Today, after a long train journey and two high-energy sessions, I find myself back in Massachusetts and already missing the energy and buzz of the conference and mid-town Manhattan. It's not an exaggeration to say that I had wonderful participants who, though each room was large and full, managed to engage with the topic and with each other in a way I've rarely seen before.

We all know that writing is a solitary kind of gig. We all know--or should--that we writers spend a little too much time inside our own heads. So the opportunity to get out there to present and talk writing with other authors is always a thrill.  

Thank you to all who participated.  I enjoyed meeting every one of you, and especially enjoyed hearing your quick writing pieces from our (imaginary) beach scenes. 

As a convenience for the participants, I have posted the session slides at Slideshare (see the links below). You will notice that each set of slides includes the sublinks (3 in all) to the short movie clips we viewed during the sessions. 

I hope you enjoy.

And remember what Stephen King told us: Writing is about getting happy. 

So whether you're out there discussing writing or hiding out in your writing room, be happy.

 

"A Smooth, Clean Finish: Editing Your Work for Publication" slides are here

"Darling, You're Making a Scene" slides are here.

A list of my other workshop topics are at my website

Copyright 2011-2014 Aine Greaney
Contact